http://www.soundcomet.com/ WebOn its surface, forensic musicology isn’t that sexy. “It specifically relates to comparing two [pieces of music] – first of all, to figure out their objective similarity, and secondly to attempt to infer the likelihood of copying,” …

Forensic Musicology - American Musicological Society

WebIn music copyright infringement cases, forensic musicologists are often called to testify as to whether or not two songs are ‘substantially similar.’ While it is standard practice to rely … WebDec 4, 2024 · Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain … harvest on peoria

Beyond ‘Blurred Lines’: How Forensic Musicology Is …

WebApr 6, 2024 · Finally, the panel is joined by associate professor of music theory at the University of Memphis, Jeremy Orosz, to discuss forensic musicology and what counts as musical plagiarism—which he ... WebForensic Musicology For Further Information As a public service, the AMS keeps contact information for people who offer forensic and legal services concerned with music … Forensic musicologists are not law specialists. They have the music qualifications and authority in a courtroom and therefore do not require a law degree (though it wouldn’t hurt). However, you must have a deep understanding of the principles of copyright law, including subjects like independent creation, … See more In order to be a forensic musicologist, you must have the ear training chops to be able to critically listen for subtle differences in music and have the theoretical music knowledge to explain why two pieces are … See more To determine whether a piece of music is original or not, you need to have a large catalog of music history knowledge. Bennett specializes in pop music, therefore you could … See more Part of Bennett’s workflow involves using a DAW program to write his reports and conduct audio comparisons. Music production skills are … See more Of course, you must have good written English skills in order to be a forensic musicologist. Whether you start your own private practice or work in academia (or both, like Bennett), you must be able to write formal reports … See more books by karen cimms